
February 6th, 2009
Well, this First Friday started out at 1708.
The pieces at 1708 at the time are from Nichole Maury and Christopher Quirk. The pieces were quite different, but seemed to fit together nicely in the space.
Christopher Quirk's pieces were gory looking pieces. They were mostly gray, tilted canvases with built up oil and acrylic paint that was mostly in bodily colored tones (peach, red, purple). They were relatively large pieces which was a nice contrast to the long walls in the gallery and the smaller pieces by Nichole Maury.

( That's Amber... )

but they seemed to form a continuous wave of boxes over three separate works.
Next stop for the group was Quirk. I never understood what people would say in class about not going to Quirk on First Friday... but now I do. It was packed and in that tight space it made it very difficult to see the art. The first piece that really caught my eye were three little sculptures by Jessica Martinkosky. They were three ceramic, green, skeleton looking heads in a glass case and they really intrigued me. They had a personality about them and made me want to hold them. Unfortunately I couldn't snap a picture without the whole world seeing me...


The last piece I want to talk about from Quirk was made by Elizabeth Kendall. As you can tell, her sculpture protrudes from the wall and takes up a considerable amount of space. I love the way each part is layered and reminded me instantly of a piece a fellow AFO student did last year (Alyson Aversa.) I love the shadows that are made on the wall from this piece. Also, the simplicity of the black and ivory colors kept it simple and drew my into the work.
From what I could gather, Art6 was comprised of the works of Todd Hale. The first thing I noticed when I went upstairs is that I saw the first photographs I had seen all night. In the corner of this narrow hallway was a photo I really loved. It was called Miami and was pretty much split down the center- clouds on the left and building on the right. Sounds boring, but the tonality of whites, blacks, and greys in the clouds were really beautiful and the angle and perspective were really nice to look at. This piece to the left reminded my of coral or some sort of underwater scene. I love the size and length of the panel and the way the bright pink acrylic catches the light.
The rest of Todd Hale's work got a little disturbing. There were a lot of skeletal models and skeleton charcoal sketches on the wall in addition to paint drips and all sorts of paintings that resembled organs and tissues of the body. They were very interesting in a strange way. We also stopped by Art6 East, but I don't have much of a reaction to it so I'll just skip to the next gallery.
We now arrive at Ghost Print Gallery. I have other pictures from this gallery, but it was so packed in there they aren't even worth posting. Most of the paintings and other canvas pieces in Ghost Print really didn't interest me. The pieces were odd, graphic pieces with sketches and paint together and just did nothing for me. I was interested in the painting of the newspaper boxes that was taking place throughout and even outside the gallery. The designs on the newspaper boxes were bright and unique and I would love to go get a paper off the street from a box looking like that.
I loved this piece to the left by Eric Sall. It was gigantic and basically a mess of organized chaos. The colors were vibrant and amazing and I loved the texture of the built up paint.
A really interesting aspect of ADA was the "Blackhole Theatre" in the back of the gallery. It literally was like a black hole in the back where some video art was being shown. The main screen showed an interesting and humourous littl
As typical photo majors, we finished up the Artwalk with a group picture (minus myself.)
The photos from this blog entry are personal photos that I took that night.
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